A blog by Bill Hess

Running Dog Publications

P.O. Box 872383 Wasilla, Alaska 99687

 

All photos and text © Bill Hess, unless otherwise noted 
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Wasilla

Wasilla is the place where I have lived for the past 29 years - sort of. The house in which my wife and I raised our family sits here, but I have made my rather odd career as a different sort of photojournalist by continually wandering off to other places to photograph people and gather information, which I have then put together in various publications that have served the Alaska Native Eskimo, Indian and Aleut communities.

Although I did not have a great of free time to devote to this rather strange community, named after a Tanaina Athabascan Indian chief who knew Wasilla in the way that I so impossibly long to, I have still documented it regularly over the past quarter-century plus. In the early days, my Wasilla photographs focused mostly upon my children and the events they participated in - baseball, football, figure skating, hockey, frog catching, fire cracker detonation, Fourth of July parade - that sort of thing. 

In 2002, I purchased my first digital camera and then, whenever I was home, I began to photograph Wasilla upon a daily basis, but not in a conventional way. These were grab shots - whatever caught my eye as I took my many long walks or drove through the town, shooting through the car window at people and scenes that appeared and disappeared before I could even focus and compose in the traditional photographic way.

Thus, the Wasilla portion of this blog will be devoted both to the images that I take as I wander about and those that I have taken in the past. Despite the odd, random, nature of the images, I believe they communicate something powerful about this town that I have never seen expressed anywhere else. 

Wasilla is a sprawling community that has been slapped down hodge-podge upon what was so recently wilderness of the most exquisite beauty. In its design, it is deliberately anti-zoned, anti-planned. In the building of Wasilla, the desire to make a buck has trumped aesthetics and all other considerations. This town, built in the midst of exquisite beauty, has largely become an unsightly, unattractive, mess of urban sprawl. Largely because of this, it often seems to me that Wasilla is a community with no sense of community, a town devoid of town soul.

Yet - Wasilla is my home and if I am lucky it will be until I grow old and die. Despite its horrific failings, it is still made of the stuff of any small city: people; moms and dads, grammas and grampas, teens, children, churches, bars, professionals, laborers, soldiers, missionaries, artists, athletes, geniuses, do-gooders, hoodlums, the wealthy, the homeless, the rational and logical, the slightly insane and the wholly insane - and, yes, as is now obvious to the whole world, politicians, too.

So perhaps, if one were to search hard enough, it might just be possible to find a sense of community here, and a town soul. So, using my skills as a photojournalist and a writer, I hope to do just that. If this place has a sense of community, I will find it. If there is a town soul to Wasilla, I will document it. I won't compete with the newspapers. Hell no! But as time and income allow, it will be fun to wander into the places where the folks described above gather, and then put what I find on this blog.

 

by 300...

Anywhere within a 300 mile radius of Wasilla. This encompasses perhaps the most wild, dramatic, gorgeous, beautiful section of land and sea to be found in any comparable space anywhere on Earth. I can never explore it all, but I will do the best that I can, and will here share what I find and experience with you.  

and then some...

Anywhere else in the world that I happen to get to, such as Point Lay, Alaska; Missoula, Montana; Serenki, Chukotka, Russia; or Bangalore, India. Perhaps even Lagos, Nigeria. I have both a desire and scheme to get me there. It is a long shot. We shall see if I succeed.

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Entries in Phoenix, Arizona (2)

Monday
May172010

In the interlude, I take a walk to Riverview Park

Yesterday, the Craig family gathered at the home of Dustinn, Vincent and Mariddie's eldest son, to decide where and when the various events and services would be held. The final decision was that a visitation will take place Thursday from 1:00 to 8:00 PM at the local Fort Apache Branch of the Mormon Church. That chapel is too small to accommodate all the guests expected to attend the funeral, so the services will be held the following morning at 10:00 AM at the large Pinetop-Lakeside Mormon Stake Center in Lakeside, a town just beyond the border of the Fort Apache Indian Reservation, home to the White Mountain Apache Tribe.

After the service, a funeral procession will work its way 25 miles down the winding highway that descends the White Mountains into Whiteriver, where Vincent will be buried with full military honors. Vincent is Navajo, but, like my wife Margie, Mariddie is Apache and it is in Whiteriver that the couple and their family has spent most of their life. One can be certain, however, that many Navajos will be present, along with members of other tribes and plenty of non-Indians, too.

Afterward, there will be a feast at the Fort Apache chapel.

Just before the family meeting began, there was a feast at Dustinn's house. As the older people visited, Taikayah, a granddaughter to Vincent and Mariddie through Mariddie's cousin Alicia, hula-hooped in the backyard.

As evening approached, I took a walk toward Riverview Park, just a few blocks from Dustinn's house. A jet, on final approach to Phoenix Sky Harbor Airport, passed overhead.

I found four softball diamonds, with a game going on each one.

A jet flew over the game as well. 

Not far away, a saguaro cactus stood tall as still another in an endless procession of jets slipped down toward the runway.

It was the kind of evening I have not seen in years. Not blistering hot as Phoenix can be at this time of year, but very warm, with twilight rapidly chasing the setting sun and then darkness coming in behind that.

It does not happen this way in Alaska. 

The feeling was pleasant yet, given the events of the past 24 hours and my state of mind, ethereal and strange.

A boy ran around the edge of the man-made pond at Riverview Park.

After the walk, I returned. I had a press release to write, but Dustinn and I stayed up into the morning hours, talking. He showed me many of his photos and video clips, including footage from his father's final performance February 6 at the Tahon O'Odhama Tribal Fair in Sells, Arizona. 

In the footage, Vincent looked very weak and peaked, but extremely determined to get out there, be Vincent Craig and please his audience - which he did. The emotion between he and his audience was strong. Dustinn also showed me several images from the project that he has been doing for years on young Apache skateboard enthusiasts. He employed many of these same young men to fill the roles of Apache men in the feature length film on the Chiricahua Apache Geronimo that he created for the PBS series, American Experience.

These tend to be young men who find it hard to find their place in modern society, but they do find it with their skateboards and with each other. They wear baggy pants and dress the same as do skateboarders in the big cities. Dustinn showed many pictures of them with their skateboards - and then also dressed in the type of clothing worn by the Apache Scouts of the later 19th century.

It was an amazing transformation. They looked the part. In my opinion, in his skateboard series, Dustinn is in the process of creating an exceptionally powerful story. When he is ready to show it to the world, I will provide links. In his efforts to work with these young men, who, I can see from his photos, respect and admire him, he reminds me of his father.

Now, it is late the next day and I have been diverted by many things, from the need to write a simple press release that proved very difficult for me to complete, to a strange, bizarre and time-consuming process to pick up a rental car and, after I did, to making a couple of wrong turns and then wandering around for far too long, always close to but seemingly never to reach my destination - but I did.

Soon, I must drive north, to the White Mountains, in my rental car. I do not have the time to begin the series of remembrances of Vincent Craig that I had planned to begin today. I hope to start tomorrow.

Sunday
May162010

Vincent Craig - his was a challenging, beautiful, rich, life, well-lived: 1950 - 2010

I woke up this morning to the tragic-comic tune of a song being performed only in my head, sung in an intentionally exaggerated Navajo accent to the accompaniment of acoustic guitar chords rapidly struck. These were the first words that I heard: “I told her that I wanted to marry her but she said ‘you’ve got to steal the candy bar…’”

My friend, Vincent Craig, is gone. The words that I heard in his voice come from his famous ballad about a young man who loved Rita so passionately that he did steal the candy bar and so wound up in the Window Rock jail.

It was my heartbreak and privilege to be in the room with Vincent and his family just minutes after he exhaled his final, peaceful, breath. All present were related to him either by blood or marriage and that includes me, as his brother, Emerson, is my brother-in-law. It is Emerson who holds his brother’s hand earlier in the day in the photo above. For the past 35 years, this family has shared the great, wonderful, talented, funny-yet-deeply probing man that was Vincent Crair with his legions of fans all across Indian Country, USA, but now they wanted him for themselves.

So I took no pictures and I will not now describe what I saw except to say that, yes, it was mournful, bitterly sad and I was struck by that feeling one gets at such moments, that feeling about how there is no fairness in this life. It hurt deeply, even more to see the pain felt by his wife Mariddie, his children, grandchildren, brothers, sister and other relatives. 

Yet...

I also saw great beauty in that room, and felt a strong sense of awe and power.

The beauty was that of love, for Vincent Craig was a man of love and all present were bound by love - love for him, love for each other, love that will carry them through the sorrow that his departure leaves behind. There was awe and power, because although the silent beauty of his presence still lingered over his still and quiet body, he had passed through this stage of his journey; he had moved from a challenging life lived well and full into that which waits beyond.

Those left behind expressed faith that they would one day again resume that journey with him.

As for me, in death Vincent left me with the feeling that I wanted to live a better life than that I have been living, that I wanted to be a better man than I have yet been, that I wanted to spend more time with my wife and to hold her in my arms and to let her know that despite my perpetually erring and wayward ways I love and cherish her ever so dearly.

I wanted to do better with my children than I ever have done, and to bring the same kind of love, joy and devotion to my grandchildren that I could see Vincent brought to his.

Perhaps on this final count, I can yet succeed - although Vincent Craig left a very high standard to match.

The bed upon which I awoke was a cot inside the house of Vincent’s oldest son, Dustinn, the filmmaker whose works you may have seen on PBS. The cot was placed in his office, surrounded by computer, video and still photography equipment, and a library filled with books on Apache and Navajo history and culture, gathered as research both for his past and future projects.

Along with Vincent’s song, I could also hear the muted sounds of jets, approaching and departing Sky Harbor Airport, of air being driven by the fan that hangs suspended from the ceiling above me and of traffic, barely heard, passing by on nearby University Avenue.

Otherwise, it was quiet in the house. I immediately opened up my laptop and began to write this, because I knew it would not be long until people began to appear and gather and my attention would then be taken elsewhere.

As I neared the end of this write up, I heard the small sound of chords being rapidly struck on an unplugged electric guitar. Although very different, the sound strongly reminded of that of Vincent playing “Rita.”

I stepped away from this computer and passed through the door of this office into the dining room and this is what I found, Vincent’s grandson, Kraig, playing his guitar.

“What are you playing?” 

“Nothing, really,” he answered. “Just a random progression of chords.”

Since I arrived here about 24 hours ago, I have heard many great stories about Vincent from his family members. It may take me a few days or I may do it in pieces over days, but I will post a tribute to Vincent based on such memories.